(May)įorecast: The subject, unfortunately, is nearly always timely, and this by no means sensationalist account can be confidently sold as the best novel of its kind in fact, the extent of the author's insights should make her very promotable. ![]() The movie, based on a 2003 novel by Lionel Shriver, follows Eva (Tilda Swinton), the mother of Kevin (Ezra Miller), who committed a. It's a harrowing, psychologically astute, sometimes even darkly humorous novel, with a clear-eyed, hard-won ending and a tough-minded sense of the difficult, often painful human enterprise. We Need to Talk About Kevin expands to more theaters this week. This seems a gimmicky way to tell the story, but is in fact surprisingly effective in its picture of an affectionate couple who are poles apart, and enables Shriver to pull off a huge and crushing shock far into her tale. The narrative, which leads with quickening and horrifying inevitability to the moment when Kevin massacres seven of his schoolmates and a teacher at his upstate New York high school, is told as a series of letters from Eva to an apparently estranged Franklin, after Kevin has been put in a prison for juvenile offenders. Stripping the screenplay off words, the disturbance. The later birth of a sister who is his opposite in every way, deeply affectionate and fragile, does nothing to help, and Eva always suspects his role in an accident that befalls little Celia. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, ‘We Need to Talk About Kevin’ is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer’s mind. From the start Eva is ambivalent about him, never sure if she really wanted a child, and he is balefully hostile toward her only good-old-boy Franklin, hoping for the best, manages to overlook his son's faults as he grows older, a largely silent, cynical, often malevolent child. ![]() Eva Khatchadourian is a smart, skeptical New Yorker whose impulsive marriage to Franklin, a much more conventional person, bears fruit, to her surprise and confessed disquiet, in baby Kevin. The novel is presented in a series of letters by Eva Katchadourian to her estranged husband Franklin, whom the reader is. The novel has the ability to be revolting yet fascinating due to the system of events like an accident on the street readers wish to look away from the events but for some reason, can’t peel their eyes away. A gifted journalist as well as the author of seven novels, she brings to her story a keen understanding of the intricacies of marital and parental relationships as well as a narrative pace that is both compelling and thoughtful. The novel We Need to Talk About Kevin by Lionel Shriver is a chilling depiction of the actions of a son and the effects that it has on his mother, however under the surface, the true story depicts the dark side of motherhood. This is why for my ISU I have chosen to explore Lionel Shriver’s ‘We Need to Talk about Kevin’. Counterpoint, $25 (416p) ISBN 1-58243-267-8Ī number of fictional attempts have been made to portray what might lead a teenager to kill a number of schoolmates or teachers, Columbine style, but Shriver's is the most triumphantly accomplished by far. ![]() WE NEED TO TALK ABOUT KEVIN Lionel Shriver. A review with a blue-tinted title indicates a book of unusual commercial interest that hasn't received a starred or boxed review. The actors are uniformly skillful (and Reilly’s voice is one of the current cinema’s charms), but Ramsay gives them little but prefabricated attitudes to work with.A starred or boxed review indicates a book of outstanding quality. ![]() (The real story is the unexplained absence of family therapy.) Ramsay teases out the tale of the bad seed-one of nature’s terrors, a family’s worst nightmare-with woozy, vaguely subjective imagery, while exploiting (but not exploring) the very fascination that such monsters exert. Reilly), have a boy (played, as a teen, by Ezra Miller) who behaves maliciously toward her and manipulatively toward his father. Tilda Swinton stars as Eva Khatchadourian, a former travel writer now relegated to clerical work, whose recollections, triggered by easy visual rhymes, dose out snippets of a past that she remembers fully and painfully. Lynne Ramsay’s coolly calculated drama, based on the novel by Lionel Shriver-about a suburban woman who recalls, in flashbacks, the events leading up to her teen-age son’s killing spree, while enduring her new life as the local pariah-masquerades as a psychological puzzle but is essentially a horror film full of decorous sensationalism.
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